Category Archives: Restoration

Liver and white hound

Liver and white hound, soft paste porcelain, Derby Factory, Circa 1790.

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[su_column size=”2/5″] [/su_column]
[su_column size=”3/5″]PROCESSES OF RESTORATION

  1. Researching
  2. Clean
  3. Model missing area
  4. Rub down modelled areas using 00 flour paper
  5. Retouching using airbrush and hand painting

Scroll down for photographs of the different processes involved.
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Click on any the images below to enlarge

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DERBY HOUND ON ACCEPTANCE

[/su_column][su_column size=”1/2″]DERBY HOUND AFTER 001 (2)

DERBY HOUND ON COMPLETION

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Late 18th Century Chinese Porcelain Punch Bowl

Late 18th Century Chinese Export Hard Paste Porcelain Punch Bowl

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[su_column size=”1/2″] [/su_column]
[su_column size=”1/2″] PROCESSES OF RESTORATION

  1. Clean break edges
  2. Bond by capillary action.
  3. Fill using epoxy resin, fumed silica and pigments.
  4. Rub down filled areas using flour paper.
  5. Polish filled areas using micromesh cloth
  6. Retouch by hand painting.

Scroll down for photographs of the different processes involved.
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Click on any the images below to enlarge
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CHINESE EXPORT PUNCH BOWL ON ACCEPTANCE
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CHINESE EXPORT PUNCH BOWL ON COMPLETION/em>
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CHINESE EXPORT PUNCH BOWL ON COMPLETION – SIDE VIEW
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18th Century Faience Plate

18th Century Faience Plate, Marseilles Factory – Veuve Perrin Period

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[su_column size=”1/2″]MARSEILLES PLATE ON ACCEPTANCE [/su_column]
[su_column size=”1/2″] PROCESSES OF RESTORATION

  1. Clean broken edges
  2. Bond
  3. Fill/ replace missing areas
  4. Rub down fills/ missing areas using 00 flour paper
  5. Retouching using airbrush and hand painting

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Scroll down for photographs of the different processes involved.

Click on any the images below to enlarge
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MARSEILLES PLATE BEFORE 001 (2)
MARSEILLES PLATE ON ACCEPTANCE
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MARSEILLES PLATE ON ACCEPTANCE
MARSEILLES PLATE ON COMPLETION
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M
MARSEILLES PLATE ON COMPLETION – DETAIL
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19th Century Staffordshire Flatback Figure

19th Century Staffordshire Flatback Figure. Lead Glazed Earthenware Decorated with Overglaze Enamel

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[su_column size=”1/2″] [/su_column]
[su_column size=”1/2″] PROCESSES OF RESTORATION

  1. Clean break edges
  2. Bond
  3. Fill cracks / missing areas with epoxy putty
  4. Rub down filled areas with flour paper
  5. Retouch using airbrush/hand painting.

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Scroll down for photographs of the different processes involved.

Click on any the images below to enlarge
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STAFFORDSHIRE FIGURE ON ACCEPTANCE
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STAFFORDSHIRE FIGURE ON COMPLETION
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STAFFORDSHIRE FIGURE ON COMPLETION – DETAIL
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19th Century Tea Caddy

19th Century Tea Caddy with Inset Jasperware Medallions

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[su_column size=”2/5″] [/su_column]
[su_column size=”3/5″]PROCESSES OF RESTORATION

  1. Cleaned all Jasperware medallions mechanically, avoiding contact with metal and wood surrounds.
  2. Silicon rubber mould taken of medallion on lid of caddy.
  3. Replacement medallion cast using epoxy resin.
  4. Retouched using airbrush

Scroll down for photographs of the different processes involved.
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Click on any the images below to enlarge

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TEA CADDY ON ACCEPTANCE

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TEA CADDY ON COMPLETION

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18th Century “Famille Verte” Side Plate

18th Century  (circa 1715) Chinese Hard Paste Porcelain “Famille Verte” Side Plate

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[su_column size=”2/5″] [/su_column]
[su_column size=”3/5″]PROCESSES OF RESTORATION

  1. Clean
  2. Bond by capillary action.
  3. Fill using epoxy resin,fumed silica and pigments to match body colour of plate.
  4. Rub down filled areas using 00 flour paper.
  5. Polish fills using micromesh cloth.

Scroll down for photographs of the different processes involved.
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Click on any the images below to enlarge

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FAMILLE VERTE PLATE ON ACCEPTANCE

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FAMILLE VERTE PLATE ON COMPLETION

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19th Century Opaque Glass Vase

19th Century Opaque Glass Vase with Overpainted Decoration – Reputedly American, Tiffany Factory

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[su_column size=”2/5″] [/su_column]
[su_column size=”3/5″]PROCESSES OF RESTORATION

  1. Clean break edges
  2. Dry tape assemblage
  3. Bond by capillary action
  4. Retouch by hand

Scroll down for photographs of the different processes involved.
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Click on any the images below to enlarge

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VASE ON ACCEPTANCE

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VASE ON COMPLETION

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Ivory Figurine Seated on an Onyx Base

Ivory Figurine Seated on an Onyx Base, Art Deco Period

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[su_column size=”2/5″] [/su_column]
[su_column size=”3/5″]PROCESSES OF RESTORATION

  1. Research.
  2. Remodel missing areas with epoxy putty following researched documentation.
  3. Bond.
  4. Rub down modelled area with 00 flour paper.
  5. Retouch replaced area using airbrush.

Scroll down for photographs of the different processes involved.
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Click on any the images below to enlarge

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[su_column size=”1/4″] IVORY FIGURINE ON ACCEPTANCE – FRONT VIEW [/su_column]
[su_column size=”1/4″] IVORY FIGURINE ON ACCEPTANCE – SIDE VIEW[/su_column]
[su_column size=”1/4″]IVORY FIGURINE ON COMPLETION – FRONT VIEW[/su_column]
[su_column size=”1/4″]IVORY FIGURINE ON COMPLETION – SIDE VIEW
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Imogen Bittner

19th Century Majolica Milk Maid

19th Century Majolica Milk Maid

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[su_column size=”2/5″] [/su_column]
[su_column size=”3/5″]PROCESSES OF RESTORATION

  1. Dismantle previous restoration
  2. Clean
  3. Bond
  4. Fill cracks, chips / remodel missing areas
  5. Rub down fills/ remodelled areas using 00 flour paper
  6. Retouch using airbrush / hand painting.

Scroll down for photographs of the different processes involved.
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Click on any the images below to enlarge

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FIGURE ON ACCEPTANCE- FRONT VIEW [/su_column]
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FIGURE ON ACCEPTANCE- BACK VIEW[/su_column]
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FIGURE ON ACCEPTANCE- DETAIL OF NECK[/su_column]
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[su_column size=”1/3″]
FIGURE ON ACCEPTANCE- DETAIL OF NECK[/su_column]
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FIGURE ON ACCEPTANCE- DETAIL OF STOOL[/su_column]
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FIGURE ON ACCEPTANCE- DETAIL OF HAT[/su_column]
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[su_column size=”1/3″]
FIGURE AFTER DISMANTLING AND CLEANING[/su_column]
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FIGURE AFTER BONDING AND FILLING NECK BREAK[/su_column]
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AFTER MODELLING MISSING STOOL LEGS
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[su_column size=”1/3″]
FIGURE ON COMPLETION – FRONT VIEW[/su_column]
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FIGURE ON COMPLETION – REVERSE VIEW[/su_column]
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DETAIL OF NECK – FRONT VIEW
[/su_column][/su_row] [su_row]
[su_column size=”1/3″]
DETAIL OF NECK – LEFT VIEW
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[su_column size=”1/3″]
DETAIL OF NECK – RIGHT VIEW[/su_column]
[su_column size=”1/3″]
DETAIL OF HAT / RIBBONS[/su_column]
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[su_column size=”1/3″]
DETAIL OF STOOL[/su_column]
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DETAIL OF STOOL FROM ABOVE[/su_column]
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Imogen Bittner

Royal Worcester “Only Me” Figurine

Royal Worcester “Only Me” Figurine Modelled by Freda Doughty no. RW3226 circa 1940-1959.

[su_row]
[su_column size=”2/5″] [/su_column]
[su_column size=”3/5″]PROCESSES OF RESTORATION

  1. Dismantle previous restoration
  2. Clean
  3. Bond
  4. Fill
  5. Rub down filled areas with 00 flour paper
  6. Retouch using airbrush / hand painting.

Scroll down for photographs of the different processes involved.
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[/su_row]

Click on any the images below to enlarge

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[su_column size=”1/3″]
FIGURINE ON ACCEPTANCE- REVERSE VIEW [/su_column]
[su_column size=”1/3″]
FIGURINE ON ACCEPTANCE- SIDE VIEW[/su_column]
[su_column size=”1/3″]
FIGURINE DISMANTLED AND CLEANED – REVERSE VIEW[/su_column]

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[su_column size=”1/3″]
MISSING AREAS AFTER BONDING[/su_column]
[su_column size=”1/3″]
SHOWING FILLED AREA TO UNDERSIDE[/su_column]
[su_column size=”1/3″]
FIGURINE ON COMPLETION – RIGHT VIEW[/su_column]

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FIGURINE ON COMPLETION – BACK VIEW[/su_column]
[su_column size=”1/3″]
FIGURINE ON COMPLETION – UNDERSIDE VIEW [/su_column]
[su_column size=”1/3″]
FIGURINE ON COMPLETION – FRONT VIEW[/su_column][/su_row] [su_row]