Ivory Figurine Seated on an Onyx Base, Art Deco Period

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[su_column size=”2/5″] [/su_column]
[su_column size=”3/5″]PROCESSES OF RESTORATION

1. Research.
2. Remodel missing areas with epoxy putty following researched documentation.
3. Bond.
4. Rub down modelled area with 00 flour paper.
5. Retouch replaced area using airbrush.

Scroll down for photographs of the different processes involved.
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Click on any the images below to enlarge

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[su_column size=”1/4″] IVORY FIGURINE ON ACCEPTANCE – FRONT VIEW [/su_column]
[su_column size=”1/4″] IVORY FIGURINE ON ACCEPTANCE – SIDE VIEW[/su_column]
[su_column size=”1/4″]IVORY FIGURINE ON COMPLETION – FRONT VIEW[/su_column]
[su_column size=”1/4″]IVORY FIGURINE ON COMPLETION – SIDE VIEW
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19th Century Majolica Milk Maid

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[su_column size=”2/5″] [/su_column]
[su_column size=”3/5″]PROCESSES OF RESTORATION

1. Dismantle previous restoration
2. Clean
3. Bond
4. Fill cracks, chips / remodel missing areas
5. Rub down fills/ remodelled areas using 00 flour paper
6. Retouch using airbrush / hand painting.

Scroll down for photographs of the different processes involved.
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[/su_row]

Click on any the images below to enlarge

[su_row]
[su_column size=”1/3″]
FIGURE ON ACCEPTANCE- FRONT VIEW [/su_column]
[su_column size=”1/3″]
FIGURE ON ACCEPTANCE- BACK VIEW[/su_column]
[su_column size=”1/3″]
FIGURE ON ACCEPTANCE- DETAIL OF NECK[/su_column]
[/su_row]
[su_row]
[su_column size=”1/3″]
FIGURE ON ACCEPTANCE- DETAIL OF NECK[/su_column]
[su_column size=”1/3″]
FIGURE ON ACCEPTANCE- DETAIL OF STOOL[/su_column]
[su_column size=”1/3″]
FIGURE ON ACCEPTANCE- DETAIL OF HAT[/su_column]
[/su_row][su_row]
[su_column size=”1/3″]
FIGURE AFTER DISMANTLING AND CLEANING[/su_column]
[su_column size=”1/3″]
FIGURE AFTER BONDING AND FILLING NECK BREAK[/su_column]
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AFTER MODELLING MISSING STOOL LEGS
[/su_column] [/su_row] [su_row]
[su_column size=”1/3″]
FIGURE ON COMPLETION – FRONT VIEW[/su_column]
[su_column size=”1/3″]
FIGURE ON COMPLETION – REVERSE VIEW[/su_column]
[su_column size=”1/3″]
DETAIL OF NECK – FRONT VIEW
[/su_column][/su_row] [su_row]
[su_column size=”1/3″]
DETAIL OF NECK – LEFT VIEW
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[su_column size=”1/3″]
DETAIL OF NECK – RIGHT VIEW[/su_column]
[su_column size=”1/3″]
DETAIL OF HAT / RIBBONS[/su_column]
[/su_row] [su_row]
[su_column size=”1/3″]
DETAIL OF STOOL[/su_column]
[su_column size=”1/3″]
DETAIL OF STOOL FROM ABOVE[/su_column]
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[/su_column][/su_row]

Royal Worcester “Only Me” Figurine Modelled by Freda Doughty no. RW3226 circa 1940-1959.

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[su_column size=”2/5″] [/su_column]
[su_column size=”3/5″]PROCESSES OF RESTORATION

1. Dismantle previous restoration
2. Clean
3. Bond
4. Fill
5. Rub down filled areas with 00 flour paper
6. Retouch using airbrush / hand painting.

Scroll down for photographs of the different processes involved.
[/su_column]
[/su_row]

Click on any the images below to enlarge

[su_row]
[su_column size=”1/3″]
FIGURINE ON ACCEPTANCE- REVERSE VIEW [/su_column]
[su_column size=”1/3″]
FIGURINE ON ACCEPTANCE- SIDE VIEW[/su_column]
[su_column size=”1/3″]
FIGURINE DISMANTLED AND CLEANED – REVERSE VIEW[/su_column]

[/su_row]
[su_row]
[su_column size=”1/3″]
MISSING AREAS AFTER BONDING[/su_column]
[su_column size=”1/3″]
SHOWING FILLED AREA TO UNDERSIDE[/su_column]
[su_column size=”1/3″]
FIGURINE ON COMPLETION – RIGHT VIEW[/su_column]

[/su_row][su_row]

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FIGURINE ON COMPLETION – BACK VIEW[/su_column]
[su_column size=”1/3″]
FIGURINE ON COMPLETION – UNDERSIDE VIEW [/su_column]
[su_column size=”1/3″]
FIGURINE ON COMPLETION – FRONT VIEW[/su_column][/su_row] [su_row]

Restoration of English 18th Century Soft Paste Porcelain Figurine, Bow Factory, decorated with under glaze enamels

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[su_column size=”2/5″] [/su_column]
[su_column size=”3/5″]
PROCESSES OF RESTORATION

1. Dismantle previous restoration
2. Clean
3. Remodel missing areas of bocage using silicon rubber moulds
4. Research and remodelled arm
5. Bond remodelled areas to figurine
6. Rub back all fills/reconstructed areas with 00 flour paper
7. Retouch using airbrush/ hand painting
8. Gilded areas – gold powder applied on gold size.

Scroll down for photographs of the different processes involved.

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[/su_row]

Click on any the images below to enlarge

[su_row]
[su_column size=”2/5″]
      
FIGURINE ON ACCEPTANCE – SHOWING PREVIOUS RESTORATION
[/su_column]
[su_column size=”2/5″]
     
SHOWING RECONSTRUCTED AREAS – FRONT AND BACK VIEW
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[su_column size=”1/5″]

FIGURINE ON COMPLETION
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[/su_row]

Late 18th Century Soft Paste Porcelain Figure. English – Possibly Derby or Chelsea

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[su_column size=”1/2″] [/su_column]
[su_column size=”1/2″] PROCESSES OF RESTORATION

1. Clean all surfaces including break edges
2. Bond
3. Remodel missing areas/ fill cracks using epoxy putty
4. Rub down filled/ remodelled areas using 00 flour paper
5. Retouching using airbrush and hand painting.

Scroll down for photographs of the different processes involved.
[/su_column]
[/su_row]

Click on any the images below to enlarge
[su_row]
[su_column size=”1/3″]

FIGURE ON ACCEPTANCE
[/su_column]
[su_column size=”1/3″]

FIGURE ON ACCEPTANCE – DETAIL OF MISSING FINGERS/em>
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[su_column size=”1/3″]

DETAIL OF REMODELLED FINGERS
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[/su_row]
[su_row]
[su_column size=”1/3″]

FIGURE ON COMPLETION – FRONT VIEW
[/su_column]
[su_column size=”1/3″]

FIGURE ON COMPLETION – BACK VIEW
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[su_column size=”1/3″]
[/su_column]
[/su_row]

18th Century Fountain, French, Rouen Factory. Faience Body with Hand Painted Enamel Decoration

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[su_column size=”2/5″] [/su_column]
[su_column size=”3/5″]PROCESSES OF RESTORATION

1. Dismantle previous restoration –remove rivets mechanically
2. Clean – remove shellac – remove rust stains
3. De-salinate
4. Bond
5. Fill cracks/ chips and rivet holes
6. Rub down filled areas with 00 flour paper
7. Retouch using airbrush / hand painting.

Scroll down for photographs of the different processes involved.
[/su_column]
[/su_row]

Click on any the images below to enlarge

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[su_column size=”1/3″]
FOUNTAIN ON ACCEPTANCE [/su_column]
[su_column size=”1/3″]
FOUNTAIN AFTER DISMANTLING RIVETS AND REMOVING SHELLAC[/su_column]
[su_column size=”1/3″]
FOUNTAIN – DETAIL AFTER REMOVAL OF RIVETS [/su_column][/su_row]
[su_row]
[su_column size=”1/3″]
FOUNTAIN – DETAIL AFTER REMOVAL OF RIVETS/ CLEANING
[/su_column]
[su_column size=”1/3″]
FOUNTAIN ON COMPLETION – FRONT VIEW
[/su_column]
[su_column size=”1/3″]
FOUNTAIN ON COMPLETION – REVERSE VIEW
[/su_column]
[/su_row]
[su_row]
[su_column size=”1/3″]
FOUNTAIN ON COMPLETION – DETAIL FRONT VIEW
[/su_column]
[su_column size=”1/3″]
[/su_column]
[su_column size=”1/3″]
[/su_column]
[/su_row]

Liver and white hound, soft paste porcelain, Derby Factory, Circa 1790.

[su_row]
[su_column size=”2/5″] [/su_column]
[su_column size=”3/5″]PROCESSES OF RESTORATION

1. Researching
2. Clean
3. Model missing area
4. Rub down modelled areas using 00 flour paper
5. Retouching using airbrush and hand painting

Scroll down for photographs of the different processes involved.
[/su_column]
[/su_row]

Click on any the images below to enlarge

[su_row] [su_column size=”1/2″]

DERBY HOUND ON ACCEPTANCE

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DERBY HOUND ON COMPLETION

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Late 18th Century Chinese Export Hard Paste Porcelain Punch Bowl

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[su_column size=”1/2″] [/su_column]
[su_column size=”1/2″] PROCESSES OF RESTORATION

1. Clean break edges
2. Bond by capillary action.
3. Fill using epoxy resin, fumed silica and pigments.
4. Rub down filled areas using flour paper.
5. Polish filled areas using micromesh cloth
6. Retouch by hand painting.

Scroll down for photographs of the different processes involved.
[/su_column]
[/su_row]

Click on any the images below to enlarge
[su_row]
[su_column size=”1/3″]

CHINESE EXPORT PUNCH BOWL ON ACCEPTANCE
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[su_column size=”1/3″]

CHINESE EXPORT PUNCH BOWL ON COMPLETION/em>
[/su_column]
[su_column size=”1/3″]

CHINESE EXPORT PUNCH BOWL ON COMPLETION – SIDE VIEW
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[/su_row]

18th Century Faience Plate, Marseilles Factory – Veuve Perrin Period

[su_row]
[su_column size=”1/2″] [/su_column]
[su_column size=”1/2″] PROCESSES OF RESTORATION

1. Clean broken edges
2. Bond
3. Fill/ replace missing areas
4. Rub down fills/ missing areas using 00 flour paper
5. Retouching using airbrush and hand painting

[/su_column]
[/su_row]
Scroll down for photographs of the different processes involved.

Click on any the images below to enlarge
[su_row]
[su_column size=”1/3″]

MARSEILLES PLATE ON ACCEPTANCE
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[su_column size=”1/3″]

MARSEILLES PLATE ON COMPLETION
[/su_column]
[su_column size=”1/3″]

MARSEILLES PLATE ON COMPLETION – DETAIL
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[/su_row]

19th Century Staffordshire Flatback Figure. Lead Glazed Earthenware Decorated with Overglaze Enamel

[su_row]
[su_column size=”1/2″] [/su_column]
[su_column size=”1/2″] PROCESSES OF RESTORATION

1. Clean break edges
2. Bond
3. Fill cracks / missing areas with epoxy putty
4. Rub down filled areas with flour paper
5. Retouch using airbrush/hand painting.

[/su_column]
[/su_row]
Scroll down for photographs of the different processes involved.

Click on any the images below to enlarge
[su_row]
[su_column size=”1/3″]

STAFFORDSHIRE FIGURE ON ACCEPTANCE
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[su_column size=”1/3″]

STAFFORDSHIRE FIGURE ON COMPLETION
[/su_column]
[su_column size=”1/3″]

STAFFORDSHIRE FIGURE ON COMPLETION – DETAIL
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[/su_row]